
Selecting the wood
Spruce for voice, maple for strength
Mountain spruce with dense, straight grain for the top, flamed maple for the back and ribs. We let the wood mature for up to ten years before we touch it.
Spruce for the top, flamed maple for the back, wood aged for years. Every violin here is shaped by the hands of a single master — from the selection of the tree to the first sung note.
Workshop KORPUS · body in progress
In a single stroke, a shape emerges that has been tuned for centuries. Hover over the points and discover what makes a violin sing.
From raw timber to an instrument that sings. Six steps that take months and cannot be rushed.

Selecting the wood
Mountain spruce with dense, straight grain for the top, flamed maple for the back and ribs. We let the wood mature for up to ten years before we touch it.

The KORPUS workshop is run by the Havlíček family in Luby u Chebu — a region where violins have been made for over three hundred years. Father and son work side by side at the same bench, and every instrument passes through both of their hands.
We do not produce pieces in quantity. Only a few new violins leave the workshop each year — each with its own name, birth certificate, and a sound that cannot be replicated.
A violin is not finished when I varnish it. It is finished when it sings for the first time.— Jan Havlíček, luthier